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American poet, brusk story author, critic and satirist (1893–1967)

Dorothy Parker
Young Dorothy Parker.jpg
Built-in Dorothy Rothschild
(1893-08-22)August 22, 1893
Long Co-operative, New Jersey, U.S.
Died June 7, 1967(1967-06-07) (aged 73)
Manhattan, New York City, U.S.
Resting place Woodlawn Cemetery
Occupation
  • Author
  • poet
  • critic
  • screenwriter
Nationality American
Genre Poesy, satire, short stories, criticism, essays
Literary movement American modernism
Notable works Enough Rope, Dusk Gun, A Star Is Born
Notable awards O. Henry Honor
1929
Spouses

Edwin Pond Parker 2

​

​

(m. 1917; div. 1928)​


Alan Campbell

​

​

(m. 1934; div. 1947)​

​

​

(m. 1950; died 1963)​
Website
www.dorothyparker.com

Dorothy Parker (née Rothschild; August 22, 1893 – June 7, 1967) was an American poet, writer, critic, and satirist based in New York; she was best known for her wit, wisecracks, and eye for 20th-century urban foibles.

From a conflicted and unhappy babyhood, Parker rose to acclaim, both for her literary works published in magazines, such as The New Yorker, and as a founding member of the Algonquin Round Table. Post-obit the breakdown of the circle, Parker traveled to Hollywood to pursue screenwriting. Her successes there, including two University Award nominations, were concise when her interest in left-wing politics resulted in her being placed on the Hollywood blacklist.

Dismissive of her own talents, she deplored her reputation equally a "wisecracker." Nevertheless, both her literary output and reputation for sharp wit have endured. Some of her works have been prepare to music; adaptations notably include the operatic vocal cycle Detest Songs by composer Marcus Paus.[1] [two]

Early on life and education [edit]

Too known every bit Dot or Dottie,[ citation needed ] Parker was born Dorothy Rothschild in 1893 to Jacob Henry Rothschild and his married woman Eliza Annie (née Marston)[3] [4] (1851–1898) at 732 Ocean Avenue in Long Branch, New Bailiwick of jersey.[5] Her parents had a summertime beach cottage there. Parker's mother was of Scottish descent. Her begetter was the son of Sampson Jacob Rothschild (1818–1899) and Mary Greissman (b. 1824), both Prussian-born Jews. Sampson Jacob Rothschild was a merchant who immigrated to the Us around 1846, settling in Monroe Canton, Alabama. Jacob Henry Rothschild was one of five known siblings. The others were Simon (1854–1908); Samuel (b. 1857); Hannah (1860–1911), afterward Mrs. William Henry Theobald; and Martin, born in Manhattan on December 12, 1865, who perished in the sinking of the Titanic in 1912.[half-dozen] Parker wrote in her essay, "My Home Boondocks," that her parents returned to their Manhattan apartment shortly after Labor Mean solar day so that she could be chosen a truthful New Yorker. Her mother died in Manhattan in July 1898, a calendar month before Parker'due south 5th birthday.[seven]

Her male parent remarried in 1900 to Eleanor Frances Lewis (1851–1903).[8] Parker hated her father, who physically driveling her, and her stepmother, whom she refused to call "mother," "stepmother," or "Eleanor," instead referring to her as "the housekeeper."[ix] However, her biographer, Marion Meade, refers to this account as "largely fake," stating that the atmosphere in which Parker was growing upward was indulgent, affectionate, supportive and generous.[x] Parker grew up on the Upper West Side and attended a Roman Catholic elementary schoolhouse at the Convent of the Blessed Sacrament on West 79th Street with her sis, Helen, although their begetter was Jewish and her stepmother was Protestant.[11] (Mercedes de Acosta was a classmate.) Parker in one case joked that she was asked to leave following her label of the Immaculate Conception as "spontaneous combustion."[12] Her stepmother died in 1903, when Parker was ix.[13] Parker later on attended Miss Dana's School, a finishing school in Morristown, New Jersey.[14] She graduated from Miss Dana's Schoolhouse in 1911, at the age of 18, according to Authur,[15] although Rhonda Pettit[16] and Marion Meade state she never graduated from either school. Following her father'southward death in 1913, she played piano at a dancing school to earn a living[17] while she worked on her poetry.

She sold her first poem to Vanity Fair magazine in 1914 and some months after was hired every bit an editorial assistant for Vogue, another Condé Nast magazine. She moved to Vanity Fair equally a staff writer later two years at Vogue. [18]

In 1917, she met a Wall Street stockbroker, Edwin Pond Parker 2[nineteen] (1893–1933)[20] and they married before he left to serve in World War I with the U.S. Ground forces 4th Sectionalisation. Dorothy Parker filed for divorce in 1928. He subsequently remarried, to Anne E. O'Brien, formerly probation officeholder of the Juvenile Court, and died at 39, from an overdose of a sleeping powder for hurting following a dental process.[21] Dorothy Parker retained her married name, though she remarried the screenwriter and sometime player Alan Campbell, and moved to Hollywood.[sixteen]

Algonquin Round Table years [edit]

Parker, with Algonquin Round Table members and guests (l–r) Fine art Samuels (editor of Harper'south and, briefly, The New Yorker), Charles MacArthur, Harpo Marx, and Alexander Woollcott, circa 1919

Parker'southward career took off in 1918 while she was writing theater criticism for Vanity Off-white, filling in for the vacationing P. Thousand. Wodehouse.[22] At the mag, she met Robert Benchley, who became a close friend, and Robert E. Sherwood.[23] The trio began lunching at the Algonquin Hotel on a near-daily basis and became founding members of what became known as the Algonquin Round Table. The Round Table numbered amid its members the newspaper columnists Franklin Pierce Adams and Alexander Woollcott. Through their publication of Parker's lunchtime remarks and curt verses, particularly in Adams' column "The Conning Tower", Dorothy began developing a national reputation every bit a wit. When the group was informed that famously taciturn onetime president Calvin Coolidge had died, Parker remarked, "How could they tell?"[24]

Parker'due south caustic wit as a critic initially proved popular, but she was eventually dismissed past Vanity Fair in 1920 later on her criticisms too often offended powerful producers. In solidarity, Benchley resigned in protest. (Sherwood is sometimes reported to accept done and so every bit well, but in actuality he had been fired in Dec 1919.)[25] She soon started working for Ainslee'south Magazine, which had a higher circulation. She also published pieces in Vanity Fair, which was happier to publish her than utilize her, The Smart Prepare, and The American Mercury, merely also in the pop Ladies' Home Journal, Saturday Evening Post, and Life.[26]

When Harold Ross founded The New Yorker in 1925, Parker and Benchley were part of a board of editors established by Ross to allay the concerns of his investors. Parker'south outset slice for the magazine was published in its second issue.[27] Parker became famous for her short, viciously humorous poems, many highlighting ludicrous aspects of her many (largely unsuccessful) romantic diplomacy and others wistfully considering the appeal of suicide.

The adjacent 15 years were Parker's greatest period of productivity and success. In the 1920s lone she published some 300 poems and free verses in Vanity Fair, Vogue, "The Conning Tower" and The New Yorker every bit well every bit Life, McCall's and The New Republic. [28] Her poem, "Song in a Minor Key" was published during a candid interview with New York Northward.East.A. writer Josephine Van de Grift.[29]

Cover of the get-go edition of Plenty Rope

Parker published her first volume of poesy, Enough Rope, in 1926. The drove sold 47,000 copies[30] and garnered impressive reviews. The Nation described her poesy as "caked with a salty humor, rough with splinters of disillusion, and tarred with a bright blackness authenticity."[31] Although some critics, notably The New York Times reviewer, dismissed her piece of work as "flapper poetry,"[32] the volume helped affirm Parker's reputation for sparkling wit.[30] Parker released two more volumes of verse, Sunset Gun (1928) and Expiry and Taxes (1931), along with the curt story collections Laments for the Living (1930) and After Such Pleasures (1933). Not Then Deep as a Well (1936) collected much of the material previously published in Rope, Gun, and Death and she re-released her fiction with a few new pieces in 1939 nether the title Here Lies.

She collaborated with playwright Elmer Rice to create Shut Harmony, which ran on Broadway in Dec 1924. The play was well received in out-of-town previews and was favorably reviewed in New York, just it closed after a run of but 24 performances. It became a successful touring production under the title The Lady Adjacent Door.[33]

Some of Parker'due south most popular work was published in The New Yorker in the form of acerbic book reviews under the byline "Constant Reader". Her response to the whimsy of A. A. Milne's The House at Pooh Corner was "Tonstant Weader fwowed up."[34] Her reviews appeared semi-regularly from 1927 to 1933,[35] were widely read, and were posthumously published in a collection under the proper name Abiding Reader in 1970.

Her best-known short story, "Big Blonde", published in The Bookman magazine, was awarded the O. Henry Award as the best short story of 1929.[36] Her short stories, though frequently witty, were likewise spare and incisive, and more bittersweet than comic; her fashion is often described as sardonic.[37]

Parker eventually separated from her hubby, divorcing in 1928. She had a number of affairs, her lovers including reporter-turned-playwright Charles MacArthur and the publisher Seward Collins. Her human relationship with MacArthur resulted in a pregnancy. Parker is alleged to have said, "how like me, to put all my eggs into one bounder."[38] She had an abortion, and fell into a depression that culminated in her first attempt at suicide.[39]

Toward the finish of this catamenia, Parker began to get more politically aware and agile. What would become a lifelong commitment to activism began in 1927, when she became concerned nearly the pending executions of Sacco and Vanzetti. Parker traveled to Boston to protest the proceedings. She and swain Circular Tabler Ruth Hale were arrested, and Parker eventually pleaded guilty to a charge of "loitering and sauntering", paying a $5 fine.[40]

Hollywood [edit]

In 1932, Parker met Alan Campbell,[41] an actor with aspirations to become a screenwriter. They married two years afterward in Raton, New United mexican states. Campbell's mixed parentage was the reverse of Parker'south: he had a German-Jewish mother and a Scottish father. She learned that he was bisexual and later on proclaimed in public that he was "queer as a billy goat".[42] The pair moved to Hollywood and signed ten-week contracts with Paramount Pictures, with Campbell (who was also expected to human activity) earning $250 per week and Parker earning $1,000 per week. They would eventually earn $2,000 and in some instances upwards of $five,000 per week equally freelancers for various studios.[43] She and Campbell worked on more 15 films.[44]

In 1935, Parker contributed lyrics for the song "I Wished on the Moon", with music by Ralph Rainger. The song was introduced in The Big Circulate of 1936 past Bing Crosby.[45]

With Campbell and Robert Carson, she wrote the script for the 1937 film A Star Is Built-in, for which they were nominated for an University Award for All-time Writing—Screenplay. She wrote additional dialogue for The Piddling Foxes in 1941. Together with Frank Cavett, she received a nomination for an Oscar for the screenplay of Nail-Upwards, the Story of a Woman (1947), starring Susan Hayward.

After the Us entered the Second Earth State of war, Parker and Alexander Woollcott collaborated to produce an anthology of her work as function of a serial published by Viking Press for servicemen stationed overseas. With an introduction by Due west. Somerset Maugham,[46] the volume compiled over 2 dozen of Parker's brusque stories, along with selected poems from Enough Rope, Dusk Gun, and Death and Taxes. Information technology was published in the United States in 1944 under the title The Portable Dorothy Parker. Hers is i of 3 Portable serial, including volumes devoted to William Shakespeare and The Bible, that have remained in continuous impress.[47]

During the 1930s and 1940s, Parker became an increasingly vocal advocate of civil liberties and ceremonious rights, and a frequent critic of authority figures. During the Cracking Depression, she was among numerous American intellectuals and artists who became involved in related social movements. She reported in 1937 on the Loyalist cause in Spain for the Communist magazine, 'The New Masses.'[48] At the bidding of Otto Katz, a covert Soviet Comintern agent and operative of High german Communist Party agent Willi Münzenberg, Parker helped to found the Hollywood Anti-Nazi League in 1936, which the FBI suspected of existence a Communist Party front.[49] The Hollywood Anti-Nazi League'south membership eventually grew to some 4,000 potent. According to David Caute, its ofttimes wealthy members were "able to contribute as much to [Communist] Party funds as the whole American working class," although they may not have been intending to support the Party cause.[50]

Parker also served as chair of the Articulation Anti-Fascist Refugee Commission's fundraising arm, "Spanish Refugee Appeal". She organized Projection Rescue Ship to transport Loyalist veterans to Mexico, headed Spanish Children'south Relief, and lent her name to many other left-wing causes and organizations.[51] Her former Round Tabular array friends saw less and less of her, and her relationship with Robert Benchley became particularly strained (although they would reconcile).[52] Parker met South. J. Perelman at a party in 1932 and, despite a rocky starting time (Perelman called it "a scarifying ordeal"),[53] they remained friends for the side by side 35 years. They became neighbors when the Perelmans helped Parker and Campbell buy a run-down farm in Bucks County, Pennsylvania, near New Hope, a pop summertime destination among many writers and artists from New York.

Parker was listed equally a Communist by the publication Red Channels in 1950.[54] The FBI compiled a 1,000-page dossier on her considering of her suspected interest in Communism during the era when Senator Joseph McCarthy was raising alarms near communists in government and Hollywood.[55] As a result, movie studio bosses placed her on the Hollywood blacklist. Her concluding screenplay was The Fan, a 1949 adaptation of Oscar Wilde'due south Lady Windermere's Fan, directed by Otto Preminger.

Her marriage to Campbell was tempestuous, with tensions exacerbated past Parker's increasing alcohol consumption and Campbell'due south long-term affair with a married woman in Europe during World War II.[56] They divorced in 1947,[57] remarried in 1950,[58] then separated in 1952 when Parker moved dorsum to New York.[59] From 1957 to 1962, she lived at the Volney Residential Hotel on Manhattan'southward Upper East Side and wrote book reviews for Esquire magazine. [60] Her writing became increasingly erratic owing to her connected corruption of alcohol. She returned to Hollywood in 1961, reconciled with Campbell, and collaborated with him on a number of unproduced projects until Campbell died from a drug overdose in 1963.[61]

Later life and death [edit]

Post-obit Campbell'southward death, Parker returned to New York City and the Volney Residential hotel. In her later years, she denigrated the Algonquin Round Table, although it had brought her such early notoriety:

These were no giants. Think who was writing in those days—Lardner, Fitzgerald, Faulkner and Hemingway. Those were the existent giants. The Round Table was merely a lot of people telling jokes and telling each other how good they were. Just a bunch of loudmouths showing off, saving their gags for days, waiting for a chance to spring them ... There was no truth in annihilation they said. Information technology was the terrible 24-hour interval of the wisecrack, so in that location didn't accept to be any truth ...[62]

Parker occasionally participated in radio programs, including Information Please (as a invitee) and Author, Author (as a regular panelist). She wrote for the Columbia Workshop, and both Ilka Chase and Tallulah Bankhead used her material for radio monologues.[63]

Parker died on June 7, 1967, of a center attack[5] at the age of 73. In her will, she bequeathed her estate to Martin Luther King, Jr., and upon King's decease, to the NAACP.[64]

Burial [edit]

Following her cremation, Parker's ashes were unclaimed for several years. Finally, in 1973, the crematorium sent them to her lawyer's office; by then he had retired, and the ashes remained in his colleague Paul O'Dwyer'south filing cabinet for approximately 17 years.[65] [66] In 1988, O'Dwyer brought this state of affairs to public attention, with the assist of celebrity columnist Liz Smith; after some discussion, the NAACP claimed Parker'due south remains and designed a memorial garden for them exterior its Baltimore headquarters.[67] The plaque read,

Here lie the ashes of Dorothy Parker (1893–1967) humorist, writer, critic. Defender of human and civil rights. For her epitaph she suggested, 'Excuse my dust'. This memorial garden is dedicated to her noble spirit which historic the oneness of humankind and to the bonds of everlasting friendship between blackness and Jewish people. Dedicated by the National Clan for the Advancement of Colored People. October 28, 1988.[68]

Plaque at Parker's birthplace

In early 2020, the NAACP moved its headquarters to downtown Baltimore and the question about what would happen to Parker'southward ashes became the topic of much speculation, particularly later the NAACP formally announced it would later movement to Washington, D.C.[69]

The NAACP restated that Parker'south ashes will ultimately be where her family wishes her to be.[70] "It's important to us that we do this right," said the NAACP.[71]

Relatives called for the ashes to be moved back to the family'southward plot in Woodlawn Cemetery, in the Bronx, where a place had been reserved for Parker past her begetter. On August xviii, 2020, Parker'due south urn was exhumed.[72] "Two executives from the Northward.A.A.C.P. spoke, and a rabbi who had attended her initial burying said Kaddish." On August 22, 2020, Parker was re-cached privately in Woodlawn, with the possibility of a more than public ceremony later.[66] "Her legacy means a lot," added representatives from the NAACP.[71]

Honors [edit]

On Baronial 22, 1992, the 99th anniversary of Parker's birth, the United States Mail issued a 29¢ U.S. commemorative postage in the Literary Arts series. The Algonquin Round Table, besides every bit the number of other literary and theatrical greats who lodged at the hotel, contributed to the Algonquin Hotel'south being designated in 1987 every bit a New York City Historic Landmark.[73] In 1996, the hotel was designated every bit a National Literary Landmark by the Friends of Libraries The states, based on the contributions of Parker and other members of the Round Table. The system's bronze plaque is attached to the front of the hotel.[74] Parker's birthplace at the Bailiwick of jersey Shore was also designated a National Literary Landmark by Friends of Libraries United states of america in 2005[75] and a statuary plaque marks the former site of her family house.[76]

In 2014, Parker was elected to the New Bailiwick of jersey Hall of Fame.

In popular culture [edit]

Parker inspired a number of fictional characters in several plays of her day. These included "Lily Malone" in Philip Barry's Hotel Universe (1932), "Mary Hilliard" (played past Ruth Gordon) in George Oppenheimer's Here Today (1932), "Paula Wharton" in Gordon's 1944 play Over Twenty-ane (directed past George S. Kaufman), and "Julia Glenn" in the Kaufman–Moss Hart collaboration Merrily We Roll Along (1934). Kaufman'south representation of her in Merrily We Roll Along led Parker, once his Round Table compatriot, to despise him.[77] She also was portrayed equally "Daisy Lester" in Charles Brackett'due south 1934 novel Entirely Surrounded.[78] She is mentioned in the original introductory lyrics in Cole Porter'south song "Only 1 of Those Things" from the 1935 Broadway musical Jubilee, which have been retained in the standard interpretation of the song every bit part of the Great American Songbook.

Prince released "The Ballad of Dorothy Parker" in 1987; it was the showtime song recorded in his Chanhassen, Minnesota studio domicile. Those closest to him at the time suggest the association between the poet and the waitress past the aforementioned proper noun in the song is a coincidence, but Dorothy Parker died on Prince's 9th altogether and chances are this brought her to his attending prior to writing the vocal.[79]

Parker is featured as a character in the novel The Dorothy Parker Murder Case past George Baxt (1984), in a series of Algonquin Round Tabular array Mysteries by J. J. Murphy (2011– ), and in Ellen Meister'southward novel Farewell, Dorothy Parker (2013).[eighty] She is the main character in "Dear For Miss Dottie", a short story by Larry N Mayer, which was selected by writer Mary Gaitskill for the collection Best New American Voices 2009 (Harcourt).

She has been portrayed on film and television by Dolores Sutton in F. Scott Fitzgerald in Hollywood (1976), Rosemary Tater in Julia (1977),[81] Bebe Neuwirth in Dash and Lilly (1999), and Jennifer Jason Leigh in Mrs. Parker and the Roughshod Circumvolve (1994). Neuwirth was nominated for an Emmy Honour for her operation, and Leigh received a number of awards and nominations, including a Golden Globe nomination.

The Wild Colonials song, "Vicious Circle" from Life Every bit We Know It EP (2007) is almost Dorothy Parker. The chorus lyrics are, "I know how Dorothy Parker felt with someone in her style."

Television creator Amy Sherman-Palladino named her product visitor 'Dorothy Parker Drank Hither Productions' in tribute to Parker.[82]

Tucson actress Lesley Abrams wrote and performed the one-woman testify Dorothy Parker's Concluding Call in 2009 in Tucson, Arizona at the Winding Road Theater Ensemble.[83] She reprised the role at the Live Theatre Workshop in Tucson in 2014.[84] The play was selected to exist office of the Capital Fringe Festival in DC in 2010.[85]

In 2016, American actress Victoria Scott donned a Halloween costume of Parker in episode 5, season 8 of Modernistic Family. [86]

In 2018, American elevate queen Miz Cracker played Parker in the celebrity-impersonation game show episode of the Season ten of Rupaul'due south Drag Race.[87]

In the 2018 picture Tin can Y'all Ever Forgive Me? (based on the 2008 memoir of the same proper name), Melissa McCarthy plays Lee Israel, an writer who for a time forged original letters in Dorothy Parker'due south name.

Adaptations [edit]

In the 2010s some of her poems from the early 20th century have been prepare to music by the composer Marcus Paus every bit the operatic vocal bike Hate Songs for Mezzo-Soprano and Orchestra (2014);[1] [2] Paus'southward Hate Songs was included on Tora Augestad's and the Oslo Philharmonic'southward album Portraying Passion: Works by Weill/Paus/Ives (2018) with works past Paus, Kurt Weill and Charles Ives.[88] Information technology was described by musicologist Ralph P. Locke as "ane of the most engaging works" in recent years; "the cycle expresses Parker'due south favorite theme: how awful human beings are, peculiarly the male of the species."[89] [90]

In 2014, lyrics taken from her book of poesy Not So Deep equally a Well were, with the authorization of the NAACP,[91] used by Canadian singer Myriam Gendron to create a folk album of the same name.[92] Also in 2014, Chicago jazz bassist/vocalizer/composer Katie Ernst issued her album Piddling Words, consisting of her authorized settings of vii of Parker'due south poems.[93] [94]

In 2021 her volume Men I'grand Not Married To was adapted as an opera of the same proper name past composer Lisa DeSpain and librettist Rachel J. Peters. It premiered virtually every bit office of Operas in Place and Virtual Festival of New Operas commissioned past Baldwin Wallace Conservatory Voice Operation, Cleveland Opera Theater, and On Site Opera on February 18th, 2021.[95]

Bibliography [edit]

Essays and reporting [edit]

  • Parker, Dorothy (February 28, 1925). "A certain lady". The New Yorker. Vol. ane, no. 2. pp. 15–xvi.
  • Constant Reader (1970)
  • Fitzpatrick, Kevin (2014). Complete Broadway, 1918–1923. iUniverse. ISBN978-1-4917-2267-1. (compilation of reviews, edited by Fitzpatrick; most of these reviews accept never been reprinted)[26]
  • Short story: A Telephone Call

Brusque fiction [edit]

Collections
  • 1930: Laments for the Living (includes thirteen short stories)
  • 1933: After Such Pleasures (includes 11 brusque stories)
  • 1939: Here Lies: The Collected Stories of Dorothy Parker (reprints of the stories from both previous collections, plus 3 new stories)
  • 1942: Collected Stories
  • 1944: The Portable Dorothy Parker (reprints of the stories from the previous collections, plus 5 new stories and verse from iii poetry books)
  • 1995: Complete Stories (Penguin Books)[96]

Poetry [edit]

Collections
  • 1926: Plenty Rope
  • 1928: Dusk Gun
  • 1931: Death and Taxes
  • 1936: Collected Poems: Not So Deep as a Well
  • 1944: Collected Poetry
  • 1996: Not Much Fun: The Lost Poems of Dorothy Parker (UK title: The Uncollected Dorothy Parker)
  • 2009: Non Much Fun: The Lost Poems of Dorothy Parker (2nd ed., with additional poems)
List of poems
Championship Year First published Reprinted/collected
Cassandra drops into poetry 1925 Parker, Dorothy (February 28, 1925). "Cassandra drops into verse". The New Yorker. Vol. 1, no. 2. p. 5.
Idea for a sunshiny morning 1927 Parker, Dorothy (December 30, 2019). "Thought for a sunshiny morning". The New Yorker. Vol. 95, no. 42. p. 65. Retrieved May ane, 2020.

Plays [edit]

  • 1929: Close Harmony (with Elmer Rice)
  • 1953: Ladies of the Corridor (with Arnaud D'Usseau)

Screenplays [edit]

  • 1936: Suzy (with Alan Campbell, Horace Jackson and Lenore J. Java; based on a novel by Herman Gorman)
  • 1937: A Star is Born (with William A. Wellman, Robert Carson and Alan Campbell)
  • 1938: Sweethearts (with Alan Campbell, Laura Perelman and S.J. Perelman)
  • 1938: Trade Winds (with Alan Campbell and Frank R. Adams; story past Tay Garnett)
  • 1941: Week-Cease for Three (with Alan Campbell; story by Budd Schulberg)
  • 1942: Saboteur (with Peter Viertel and Joan Harrison)
  • 1947: Smash-Up, the Story of a Woman (with Frank Cavett, John Howard Lawson and Lionel Wiggam)
  • 1949: The Fan (with Walter Reisch and Ross Evans; based on Lady Windermere'southward Fan past Oscar Wilde)

Run across also [edit]

  • Dorothy Parker – Complete Stories
  • "Here We Are" (short story)

References [edit]

  1. ^ a b "Fanger teatrets toner på hvert sitt drømmende album". www.dagsavisen.no.
  2. ^ a b "Urfremfører Paus-opera i Kilden". www.fvn.no. January 28, 2014.
  3. ^ Meade six.
  4. ^ Meade, Marion (1987). Dorothy Parker: What Fresh Hell Is This? . New York: Penguin Books. p. five. ISBN0-14-011616-8.
  5. ^ a b Whitman, Alden (June 8, 1967). "Dorothy Parker, 73, Literary Wit, Dies". The New York Times.
  6. ^ "Martin Rothschild : Titanic Victim". Encyclopedia Titanica.
  7. ^ Meade 12.
  8. ^ Meade thirteen.
  9. ^ Herrmann, Dorothy (1982). With Malice Toward All: The Quips, Lives and Loves of Some Historic 20th-Century American Wits. New York: G. P. Putnam'southward Sons. p. 78. ISBN0-399-12710-0.
  10. ^ Meade, M. (1987). Dorothy Parker: what fresh hell is this? New York: Villard Books.
  11. ^ Meade 14.
  12. ^ Chambers, Dianne (1995). "Parker, Dorothy". In Wagner-Martin, Linda (ed.). The Oxford Companion to Women's Writing in the United States. Oxford University Press.
  13. ^ Meade 16.
  14. ^ Meade 27.
  15. ^ Kinney, Authur F. (1978). Dorothy Parker . Boston: Twayne Publishers. pp. 26–27. ISBN9780805772418.
  16. ^ a b "Modern American Poetry".
  17. ^ Silverstein, Stuart Y. (1996). Not Much Fun: The Lost Poems of Dorothy Parker. New York: Scribner. p. 13. ISBN0-7432-1148-0.
  18. ^ Silverstein xiii.
  19. ^ Herrmann 78.
  20. ^ "Edwin P. Parker 2nd". The New York Times. Associated Press. January 8, 1933. Retrieved February 28, 2013.
  21. ^ Hartford Courant, Hartford, Connecticut, January viii, 1933, Sunday. Folio 6.
  22. ^ Silverstein 18.
  23. ^ Altman, Billy (1997). Laughter'south Gentle Soul: The Life of Robert Benchley. New York: W. W. Norton & Company. p. 146. ISBN0-393-03833-v.
  24. ^ Greenberg, David (2006). Calvin Coolidge. The American Presidents Series. Times Books. p. 9. ISBN978-0-8050-6957-0 . Retrieved March 19, 2015.
  25. ^ Goldman, When Dorothy Parker Got Fired from Vanity Fair" Public Domain Review. February 6, 2020. Accessed March ix, 2020.
  26. ^ a b Gottlieb, Robert (April 7, 2016). "Brilliant, Troubled Dorothy Parker". New York Review of Books . Retrieved August 23, 2018.
  27. ^ Silverstein 32.
  28. ^ Silverstein 62–3.
  29. ^ Van de Grift, Josephine. (November five, 1922). Dorothy Parker says information technology's not all fun to exist funny. The Salina Daily Union. p. 18.
  30. ^ a b Silverstein 35.
  31. ^ Meade 177.
  32. ^ Meade 178.
  33. ^ Meade 138.
  34. ^ Parker, Dorothy (1976). Far From Well, nerveless in The Portable Dorothy Parker Revised and Enlarged Edition. New York: Penguin Books. p. 518. ISBN0-xiv-015074-9.
  35. ^ Silverstein 38.
  36. ^ Herrmann 74.
  37. ^ The Columbia companion to the twentieth-century American curt story. Gelfant, Blanche H., 1922–. New York: Columbia University Press. 2000. ISBN978-0-231-11098-3. OCLC 51443994. {{cite book}}: CS1 maint: others (link)
  38. ^ Meade 105.
  39. ^ Silverstein 29.
  40. ^ Silverstein 44.
  41. ^ Meade 238.
  42. ^ Wallace, David (September 4, 2012). Uppercase of the World: A Portrait of New York City in the Roaring Twenties. Lyons Press. pp. 184–. ISBN978-0-7627-6819-half-dozen.
  43. ^ Silverstein twoscore.
  44. ^ Dorothy Parker at IMDb[ unreliable source? ]
  45. ^ Parish, J.R.; Pitts, 1000.R. (1992). The great Hollywood musical pictures. Scarecrow Press. ISBN978-0-8108-2529-1.
  46. ^ Meade 318.
  47. ^ Publisher'south Notation (1976). The Portable Dorothy Parker Revised and Enlarged Edition. New York: Penguin. ISBN0-fourteen-015074-ix.
  48. ^ Meade 285.
  49. ^ Koch, Stephen, Double Lives: Stalin, Willi Munzenberg and the Seduction of the Intellectuals, New York: Enigma Books (2004), Revised Edition, ISBN 1-929631-xx-0
  50. ^ Caute, David, The Fellow Travellers: Intellectual Friends of Communism, New Haven: Yale University Printing (1988), ISBN 0-300-04195-0
  51. ^ Buhle, Paul; Dave Wagner (2002). Radical Hollywood: The Untold Story Behind America's Favorite Movies. New York: The New Press. p. 89. ISBNone-56584-718-0.
  52. ^ Altman 314.
  53. ^ Perelman 171.
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Further reading [edit]

  • Randall Calhoun, Dorothy Parker: A Bio-Bibliography. Westport, Connecticut: Greenwood Press, 1993. ISBN 0-313-26507-0
  • Kevin C. Fitzpatrick, A Journey into Dorothy Parker'south New York. Berkeley, CA: Roaring Forties Printing, 2005. ISBN 0-9766706-0-7
  • John Keats, You Might As Well Live: The Life and Times of Dorothy Parker. New York: Simon & Schuster, 1970.
  • Marion Meade, Dorothy Parker: What Fresh Hell is This?. New York: Villard, 1988.
  • S. J. Perelman, "Dorothy Parker". In The Last Laugh. New York: Simon & Schuster, 1981.

External links [edit]

  • Dorothy Parker Society Archived August 17, 2020, at the Wayback Machine
  • Dorothy Parker at IMDb
  • Dorothy Parker at the Cyberspace Broadway Database Edit this at Wikidata
  • Dorothy Parker at the Internet Off-Broadway Database
  • Algonquin Round Table
  • Dorothy Parker on Poeticous
  • Selected Poems by Dorothy Parker
  • Parker's resting place
  • Emdashes coverage of Dorothy Parker
  • Dorothy Parker photo gallery; GettyImages
  • Jonathan Goldman (February 6, 2020). "When Dorothy Parker Got Fired from Vanity Off-white". The Public Domain Review.
  • Marion Capron (Summer 1956). "Dorothy Parker, The Fine art of Fiction No. 13". The Paris Review. Summer 1956 (xiii).

Online editions [edit]

  • Works by Dorothy Parker at Project Gutenberg
  • Works by Dorothy Parker at Faded Page (Canada)
  • Works by or nearly Dorothy Parker at Net Archive
  • Works by Dorothy Parker at LibriVox (public domain audiobooks)
  • Minstrels Annal department on Parker's works

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Source: https://en.wikipedia.org/wiki/Dorothy_Parker

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